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SUPER CARD RISING

This. is my original stage-tested Card Rising Illusion  which I have fooled many experts. It is spectacular but its modus operandi is very easy, hence an ideal illusion for stage purposes. I invented it in the year 1945 and have very successfully demonstrated it throughout the Orient. There are hundreds of card rising tricks in the world but from the spectacular point of view my 'Super Card Rising' will surely surpass all.     

Apparatus consists of an oblong glass case with ornamental top and bottom. Both the top and bottom are made of brass mouldings in which there are patterns in traditional Hindoo style. Four uprights complete the entire structure and the glass sheet on the four sides are plainly visible. The front door may be opened as we do in the case of the single-door almirah. The size of this glass case may vary according to taste, my case being 6" X 6" X 18" high. On the top of this glass case I put an ordinary glass sheet and upoy- that rests my top hat mouth upwards (see diagram).

I take an ordinary pack of cards, have it shuffled and then have three different cards selected by the audience. They are named as card number one, card number two, card number three. The three cards are returned to the deck which is then closed and placed inside the glass case. There is a tiny clip arrangement for holding the deck steady and in upright posi­tion. I call attention of the audience to this ordinary deck placed upright at the bottom of the apparatus on my conjuror's table. Next, I order (by numbers) the selected cards to rise up­ up-up slowly-which they readily do. The first card comes out of the deck-goes straight up to the top; then passes through the glass sheet; it goes through the hat top and comes out straight through the mouth of the hat. You will say it is 134 impossible.  Well, my friend, in magic impossibility is the rule. Next, I command the second card to rise, and it at once obeys. While the second card is still going up, I ask the third card to come lip and it, too, follows the movements of the first card. The selected cards leave the closed deck--:soar up in the air, cross the glass sheet, the JIat and come out, one by one, from the mouth of the hat. The cards may at once be passed for examination and when the trick is over the deck is given to the audience to show that the selected cards have actually left the pack. To make the trick easily comprehensible, I have named the first card as the Five of Clubs, the second card the Three of Diamonds and the third card the Ace of Spades.

The secret is very simple. There are three effects in one. Let me explain each one separately. The three cards are forced and they are palmed off before the pack is put inside the glass case. The best way is to have another similar regular deck minus the three cards. It is not difficult to switch it over when the black art well of the conjuror's table is just beneath the glass case. The cards that come out of the hat are duplicates. They are threaded in the usual method (the thread passing through the bottom of the selected card, then on the top of another ordinary card, then. again th1:"ough the bottom of the next selected card and so on).

The best course is to have four cards with small holes punched on the top and a thread passed through it, as shown in the diagram. These cards are kept inside one small receptacle fixed inside the regular hat. The receptacle is covered with the same material as the interior of the hat and preferably all of some dark colour. In this way you can unmistakably show your hat empty, holding it from the sides.                                        

I have the thread and cards duly loaded inside my hat when I come on the stage. I take my hat  off-bow-and casu all) show the hat empty before I place it on the glass case. The glasscase has on the three sides but the back is faked. It IS made through a' double wall of two glass plates. 1 simply had the transparent paper and nobody could detect it. This paper sheet is very long, nearly five feet by six inches andit is fitted with two rollers, one at the top and one at the bottom. The pictures of the cards are drawn on the opposite side of this paper at intervals. First, the Five ofClubs,1:hen a long gap of about 20 inches, then

,     the Three of Diamonds, then a gap of some six inches and then the Ace of Spades. The top roller is fitted with spring and mani­pulated with thread connections. Both the threads pass behind the screen to the assistant. 

The rest is easy. At the command of the performer, the . assistant makes the thread of the spring roller loose and at intervals tightens the thread passed from the hat, which makes the illusion perfect. Mechanically-minded magicians can easily do away with the spring roller and improvise the idea by having , all ordinary thread connection only. The trick is not so difficult or intricate as it, appears from the first reading. It is very easy to do and an excellent item for the stage platform.


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